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Historical novels from the 2nd für das 21st century






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Posts mit dem Label Roman werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Roman werden angezeigt. Alle Posts anzeigen

Sonntag, 30. August 2015

Colonia Iulia Emona


This is the Roman precursor of modern Ljubljana, the capital of the state of Slovenia. Emona was a colony of Roman veterans founded in 14 A.D. by Tiberius and the first major town on Italian soil that you would enter when you came from the east. Its location at the amber road and its firm control of itinerary roads arriving from the Noricum, Pannonia, and Aquileia made it a prosperous town that soon outshone its earlier competitor Nauportum, located further west, and continued thriving until it was routed by Attila in 452 A.D. and fell entirely desolate.

Emona and some of its attested inhabitants play significant roles in our series of historical novels, "Romanike", that's why we (my wife and I) have studied its well researched layout.

This digitised parchment sketch was inspired by an animated reconstruction of the Colonia Iulia Emona.


Reconstruction of the Roman Colonia Iulia Emona (now Ljubljana, Slovenia)

Mittwoch, 8. April 2015

Who was the golden man from ancient Emona?

This specimen is known as "the Emonian". With a height of 1.45 m it is an almost life-size,  gold-plated statue that was found on a cemetery to the north of the Roman city of Emona, modern Ljubljana in Slovenia. Probably it was originally poised on top of a pillar.

The original statue is on display in the Narodni Muzej or National Museum of Ljubljana, a copy, elevated on a high statue, may be found on Zvezdni Trg, the Star Square, in the old centre of the city.

The identity of the depicted person is not known as no inscription has been found with the statue. Various noble families of equestrian rank are attested in Emona that had close ties to the ancient port of Aquileia further west, at the Adriatic Sea: One of them may have been able to afford a grave monument of such splendour.

In our novel series "Romanike" we have for narrative purposes attributed the Emonian to the noble House of Caesernii that is attested in Emona by several contemporary inscriptions (Charis is serving them as a kitchen-maiden). Some of the most prominent members of this equestrian family included the brothers Caesernius Macedo and Caesernius Statianus who were councellors of emperor Hadrian. For that reason, the Caesernii may plausibly have been wealthy enough to commission a statue like the Emonian.

Dienstag, 17. März 2015

The Serpent and its Priest: Forthcoming in March 2015

Forthcoming in March 2015: "The Serpent and its Priest", a new annotated translation of the 2000 years old satire "The Pseudomancer" by Lucian of Samosata. This is the extraordinary historic record that inspired our "Romanike" novels: How Alexander of Abonuteichus, the Rasputin of the ancient world, founded a religious order that deceived even the emperors of Rome and how one sceptic, Lucian, tried to unmask his fraud.


Read more about Glycon, Alexander's man-headed serpent god, on these blog entries:

"Present-day skeptics are fond of presenting their kind of thinking as the latest thing, a relatively new invention that was developed only with the struggle and sacrifice of freethinkers and scientists during the Enlightenment. However, the writings of Lucian of Samosata, who lived in present-day Syria nearly two thousand years ago, show that the skill skeptical inquiry is quite ancient.

Lucian writes of the popular god Glycon, a god who was said to have descended from the heavens to take on the earthly form of a snake. That snake was held in the arms of Alexander of Abonoteichus, who was said to have discovered him. Upon hearing of the wonders of Glycon, who was said to have been able to heal the sick and raise the dead, Lucian went himself to see what it was all about."
Read more: Ancient Skepticism and the Snake God Glycon



"Human existence requires the suspension of disbelief.  Sure she loves you.  Of course the boss values your contribution.  Your children aren’t little savages.  And if you work hard enough, someday your genius will be recognized.  Or maybe you’re just born, muddle through life, and die, and no matter what miraculous feats you’ve accomplished and Sisyphean tasks you’ve somehow triumphed over, in a few thousand years you will be unknown and unmourned.  But that’s just plain boring.  Suck it up cowboy, and make some noise.  Invent a new philosophy.  Start a revolution.  Write a timeless song.  Finish that heartbreaking novel.  Or, if you’re feeling edgy like the Greek prophet Alexander of Abonutichus (105-170 A.D.), make yourself a hand puppet and declare it a god.  It’s bold.  It’s ironic.  It worked for Jim Henson.  After all, if Fozzie Bear has not yet been nominated for sainthood, it is no doubt merely an oversight by the beatification committee.  Or perhaps he’s Protestant.  Some sins are just unforgivable.  There were a lot of philosophies and theologies indolently laying about the Greco-Roman World in at the opening of the 2nd Century A.D, but Alexander of Abonutichus’ cult of the snake god Glycon achieved stunning popularity given its foundation in puppetry. ..."
Read more: Muppet Theology

Mittwoch, 19. November 2014

Who took Roman glass to Japan?

Multilayered beads of Roman glass had been found in a 5th century tomb in the Japanese town of Nagoka near Kyoto in 2012 (1 and 2). Now it has been confirmed that a dish and a bowl found in another 5th century grave located near Kashihara, Nara Prefecture, are also of Roman making.

"The dish and bowl were retrieved together from the No. 126 tumulus of the Niizawa Senzuka cluster of ancient graves, a national historic site. The No. 126 tumulus dates back to the late fifth century. According to the team’s analysis, the chemical composition of the clear dark blue dish is almost identical to glasswork unearthed in the area of the Roman Empire ... Measuring 14.1 to 14.5 centimeters in diameter, the flat, raised dish is believed to have been created in the second century at the latest. ...

(Provided by the Tokyo National Museum)3
The scientists used a special fluorescence X-ray device to analyze chemical elements in glass powder from the dish. The chemical compositions of natron, a type of sodium mineral, as well as sand made of silica and lime, resemble those typically found in Mediterranean glasswork produced in the Roman Empire and the following Eastern Roman Empire period. The team also conducted a fluorescence X-ray test on the dish using a high-energy radiation beam at the Spring 8 large synchrotron radiation facility in Sayo, Hyogo Prefecture. The test revealed antimony, a metallic element believed to be used in Rome until the second century.

The results mean that it took centuries for the dish to arrive in Japan and be buried in the grave after it was produced in Rome.

Abe and his colleagues also revealed that the chemical composition of the cut glass bowl is the same as that of glass fragments unearthed from the remains of a palace in the ancient Persian capital of Ctesiphon." (3)

Note that the beads found in Nagoka also contained natron, which supports the evidence that they originated in the Roman Empire. (2)

Mentioning Ctesiphon as the likely source of origin seems to place a delimiter to the time when the bowl may have been made. There were very few periods when the capital of Parthia (not Persia) was occupied by Romans; one of them was 164 A.D. when legatus Avidius Cassius had captured it during the war against king Vologaeses. Incidentally, about that time a self-styled embassy of emperor "An-Tun" (probably Marcus Aurelius Antoninus) popped up at the Chinese court, according to a Chinese source named the Hou Hanshu. Is it possible that beads, bowl and dish were all brought to Eastern Asia by this very trading convoy and sold or presented much later to Japanese noblemen? 

In "Opus Gemini", the second trilogy of the "Romanike" series, Avidius Cassius' campaign against Parthia is supported by his distant relative, princess Iulia Balbilla of Commagene. Several characters of the series are members of the trading convoy to China. Perhaps the bowl and dish should be mentioned in a future revision of our books?

Dienstag, 6. Mai 2014

The Antikythera Mechanism or Antikythera Device

In 1901, the most sophisticated device of the ancient world returned to sunlight after it had spent 2000 years in a Roman shipwreck offshore the Greek island of Antikythera. But it was as late as 1957 that this clotted lump of gearwheels, axles, scales and pointers was recognised as part of an astronomical instrument that is without known counterpart in its period or the centuries after. This instrument, known as the Antikythera Mechanism or the Antikythera Device, features a sort of clockwork that was able to display, for any freely eligible date, the positions of the sun, the moon and probably also of the visible planets, taking into account many intricacies of their varying orbits. Better still, this instrument could predict solar and lunar eclipses many years in advance!
After the turn of the millennium, the publications of the Antikythera Mechanism Research Project (AMRP) turned attention to this unique object. If you happen to visit the National Museum of Athens, Greece, you may find it there on display; a number of functional reconstructions are spread across technical museums world-wide.

The AMRP believes that the mechanism may have originated either in Corinth or its famous colony, Sicilian Syracuse. However, the ship that kept it contained cargo from Asia Minor and, when it sank, had set a western course - probably heading for Rome. We do not know who may have used it and for which purpose. No classic author seems to have described its function, though instruments predicting the movements of the skies are mentioned, among others, by Poseidonius and Cicero. No other device of this age was found so far - the second-oldest preserved is many centuries younger and much simpler. But one fact may be safely inferred: The Antikythera Mechanism had achieved technological maturity; it cannot have been a prototype.

The Opus Gemini trilogy, a part of the Romanike series, tells the story of the Antikythera Mechanism's lost siblings.



Fragments of the Antikythera Mechanism in Athens



Links:
The Antikythera Mechanism Research Project: www.antikythera-mechanism.gr
Michael Wright's reconstruction of the Antikythera Mechanism: http://www.mtwright.co.uk/
"Decoding the Heavens", the story of the Mechanism's discovery: http://www.decodingtheheavens.com/default.aspx
Rekonstruktion des Antikythera-Mechanismus im Astronomisch-Physikalischen Kabinett, Kassel: http://www.museum-kassel.de/index_navi.php?parent=1035